A BLUEBIRD IN MY HEART (2018)
“Roland Møller - I see him as a Danish Idris Elba. There is a gravitas, physicality, and steely allure to him”
Read MoreCORPUS CHRISTI (2019)
“darkly fun and letting the dramatic tension germinate”
Read MoreLES MISÉRABLES
It isn’t the next La Haine
Read MoreRICHARD JEWELL (2019)
“you cannot divorce the obvious and overriding political slants towards saber-rattling about the media and a pronounced hit job on it”
Read MorePAIN AND GLORY (2019)
“Banderas owns the screen, melting into this pained, adrift, and struggling artist”
Read MoreI LOST MY BODY (2019)
“completely entrancing mix of bizarre adventure, a cinematic interpretation of sense memory, a coming of age romance”
Read MoreBOMBSHELL (2019)
“cast was so potent and compelling”
Read MoreTHE TWO POPES (2019)
“Pryce was so tangible and realized; a fantastic performance”
Read MoreHARRIET (2019)
“Erivo is good, but the film doesn’t have a ton of heart or exhilaration”
Read MoreJUDY (2019)
“I guess Zellweger was good, for what that is worth”
Read MoreUNDERWATER (2020)
“Unfortunately, beyond its concept, there isn’t much keeping this one afloat.”
Read More1917 (2019)
“aligns itself well in the annals of indisputable cinematic glory”
Read MoreWILD ROSE (2018)
“breathes life into hardened lungs”
Read MoreTHE ART OF SELF-DEFENSE (2019)
“A diatribe about the unsavory nature of toxic masculinity, told in a quirk-filled humorous way”
Read MoreHER SMELL (2018)
“Brilliant, vulnerable and caustic performance by Moss”
Read MoreROCKETMAN (2019)
“you will be left humming the wonderful tunes”
Read MoreLITTLE WOMEN (2019)
“I laughed, I kind of cried (welling up counts), and I relished near each moment.”
Read MoreCATS (2019)
“watching them writhe, undulate, and profess their passion for some mystical unknown through indecipherable gibberish”
Read MoreUNCUT GEMS (2019)
“masters of their craft putting me in a hole of pulverizing despair”
Read MoreMIDSOMMAR (2019)
“the film is a work of unease and art”
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