BONES AND ALL (2022)
“Chalemet is at his twinKing finest”
Read MoreWITHOUT FILM, SOMETHING SLEEPS INSIDE US AND SELDOM AWAKENS. THE SLEEPER MUST AWAKEN.
“Chalemet is at his twinKing finest”
Read More“dwelled in the sober reality of the human condition with wit and guile”
Read More“I don’t really dig on musicals but this was good overall”
Read More“Sometimes you never get around to posting about a film, but that doesn’t mean that I didn’t see them or that I don’t have thoughts. Here are a few”
Read More“an elegant and somber triumph”
Read More“Its flamboyant sprinkles of dark humor detonate continuously”
Read More“subtle cryptic spirit of dourness that torments the film”
Read More“beautiful moments of palatable pain and tangible tenderness”
Read More“Dinosaurs. Missing teeth. Cake explosives. Yes please.”
Read MoreManic and poetic, narratively and visually. It is punk, it is hard steel with a soft lacy dress underneath, it is a rebellion against truth and lies and form and fashion - it carves its own weathered path through the rock of myth. It asks for no quarter and begs for no virtuous admiration. It is, bleak and severe as the embittered progeny of an inhospitable land.
The spotlight night travels were enchanting. The dps work was quite good. As was the acting from a smorgasbord of kind and quality. McKay solidified his passion filled physicality and determined acting prowess. He is a star on the come up.Yes, this isn’t a “true” account, but it is a wickedly alternative twist on a legend, and it popped in a delightful way for me.
A pretty generic romcom setup that struggles to get out of the gate. Eventually it hooks into a serviceable, if not pretty charming groove, but even at its height it still has some grating elements and can’t get out of its own way. I wanted to like this, seeing as how I like the actors and I thought the premise was cute, but it managed to have too many cringe worthy social situations, too many dickhead characters, it lacked in making an emotional connection for the majority, and it punched down instead of up where it could have swung.
The best parts of this film are pretty amiable, but they kept getting trumped by overwrought plotting or poor screenplay decisions/characters. It’s like it wanted to be more “teen ready” when it would have benefited from trying to appeal to an older audience. I didn’t hate the viewing, but it steered away from the path up the road to the shining hill and decided to drift off into cheesy stripmall nothingness.
“sheer artistry in motion, every magical moment”
Read More“completely entrancing mix of bizarre adventure, a cinematic interpretation of sense memory, a coming of age romance”
Read More“I guess Zellweger was good, for what that is worth”
Read More“I laughed, I kind of cried (welling up counts), and I relished near each moment.”
Read More“engaging humor, mundane naturalness, and profound pain”
Read More“A film that rumbles and smolders beneath the surface”
Read More“There is a magical mix of grim and bittersweet, with each frame and each scene housing a hope, hidden in the reluctantly oppressive. “
Read More“A cinematic art piece with thumping jazz accentuating the smoky swirls, both literal and figurative. “
Read More“The instant chemistry between the actors, the songs, and the forever relevant story; it worked so well and the whole was spot on.”
Read More“It’s one half cute rom-com, one half lavish spectacle, and a very welcomed 100% Asian. “
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