WRATH OF SILENCE
“Its action is vital and naturalistic”
Read MoreONE MUST FALL (2018)
“Supposedly a horror comedy, but it lacked being either”
Read MoreTHE AXIOM (2018)
“not finessed to creation the way the imagination might have promised”
Read MoreTHE ODDS (2018)
“significantly sleazy and overly sadistic, but what does one expect in a movie about such things”
Read MoreBLACK SITE (2018)
“It is like a live action comic book that ticks a lot of my boxes.”
Read MoreBRAID (2018)
“You are Alice tumbling down the hole into an obtuse smorgasbord of oddity and ostentatiousness”
Read MoreBURNING (2018)
“it didn’t maintain the thrill when it needed it the most”
Read MoreA BLUEBIRD IN MY HEART (2018)
“Roland Møller - I see him as a Danish Idris Elba. There is a gravitas, physicality, and steely allure to him”
Read MoreWILD ROSE (2018)
“breathes life into hardened lungs”
Read MoreHER SMELL (2018)
“Brilliant, vulnerable and caustic performance by Moss”
Read MoreGENERAL MAGIC (2018)
“enjoy this tech ride and see where our now ubiquitous technology came from”
Read MoreHIGH LIFE (2018)
“Quite interesting, but also more of a conundrum than a mysterious journey.”
Read MoreST. AGATHA (2018)
“improperly weighted slow descent down a snowy hill of discomfort and disengagement”
Read MoreWELCOME TO MERCY (2018)
“Such potential for this one, but the true mercy was that this film didn’t last too long”
Read MoreWHAT KEEPS YOU ALIVE (2018)
“It isn’t reinventing the wheel, but it is retreading the tires a bit”
Read MoreLET THE CORPSES TAN (2018)
“beautiful visions of carnal pleasures and elicit violence groggily shimmy through your perception”:
Read MoreHOTEL ARTEMIS (2018)
“A sci-fi stage play with some noirish elements and a fun anti-hero panache”
Read MoreA SIMPLE FAVOR (2018)
“we get a bloated, try hard of a monstrosity that leaves no one satisfied”
Read MoreASH IS THE PUREST WHITE (2018)
“A film that rumbles and smolders beneath the surface”
Read MoreFAST COLOR (2018)
“familial experience of 3 generations of black women with powers, as told in a languid and oddly soulful way”
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