HOW TO BLOW UP A PIPELINE (2023)
“refreshing to revel and root for the “criminal” in their quest for achievement in havoc”
Read MoreHALLOWEEN ENDS (2022)
“how you could spend so much time with these characters and fail them so horribly?”
Read MoreHOUSE OF GUCCI (2021)
“a bit much while being a little to barren”
Read MoreTHE HAND OF GOD (2021)
“Solid, but Sorrentino isn’t always my cup of tea.”
Read MoreHOME SWEET HOME ALONE (2021)
“A merciless miscarriage of entertainment, marred in malevolence and merriment malpractice.”
Read MoreTHE HARDER THEY FALL (2021)
“absolutely fun, fresh but referential, tropey western romp.”
Read MoreHALLOWEEN KILLS (2021)
“more of a “slasher adventure” than a horror film”
Read MoreHILLBILLY ELEGY (2020)
“not enjoyable, enriching, or a satisfactorily detailed tale”
Read MoreTHE HOLE IN THE GROUND (2019)
“Hole is an enticing creeper that gives a little too much away”
Read MoreHARPOON (2019)
“whole thing is wildly “WTF?!”, but conceptually it was vaguely interesting”
Read MoreHOW TO BUILD A GIRL (2020)
“some legitimately strong elements that serve as window dressing on an average feature”
Read MoreHAPPY DEATH DAY (2017) & HAPPY DEATH DAY 2U (2019)
“Number 1 is fun. 2 is boo.”
Read MoreTHE HUNT (2020)
“Societal exploitation, with triggers and triggers”
Read MoreHONEYLAND (2019)
“Stellar human drama on par with anything”
Read MoreHOW TO TRAIN YOUR DRAGON: HIDDEN WORLD (2019)
“A satisfying end to the series”
Read MoreHARRIET (2019)
“Erivo is good, but the film doesn’t have a ton of heart or exhilaration”
Read MoreHER SMELL (2018)
“Brilliant, vulnerable and caustic performance by Moss”
Read MoreHIGH LIFE (2018)
“Quite interesting, but also more of a conundrum than a mysterious journey.”
Read MoreHOTEL ARTEMIS (2018)
“A sci-fi stage play with some noirish elements and a fun anti-hero panache”
Read MoreFAST & FURIOUS PRESENTS: HOBBES AND SHAW (2019)
“to me, this car careened off the road”
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