MAYHEM! (FARANG) (2023)
"It is brutal, in a way that you feel like Josh Brolin should be screaming it in your face"
Read MoreMADAME WEB (2024)
“Unfortunately it is just lame bad, not fun bad enough to see, but everyone’s Madam mileage can vary”
Read MoreMEG 2: THE TRENCH (2023)
“This is Meg 2, for more f’n megs, not Meg’n’Friends”
Read MoreMARCEL THE SHELL WITH SHOES ON (2022)
“most adorable movie of the year”
Read MoreMRS. HARRIS GOES TO PARIS (2022)
“1950s period piece about haute couture clothing is a film TAILOR MADE for a costuming Oscar nod”
Read MoreTHE MENU (2022)
“Their (acting) chops let the flavor of the cinematic meal broil.”
Read MoreM3GAN (2022)
“a devilish little horror escapade with some capitalistic & mechanical creep”
Read MoreMONA LISA AND THE BLOOD MOON (2022)
“flourishes of beauty and quirk, but it felt light and incomplete”
Read MoreMAD GOD (2021)
“cruel oddities and maniacal monstrosities”
Read MoreMORBIUS (2022)
“a vacant and numbing nothingness - certainly nothing to sink my teeth into”
Read MoreTHE MITCHELLS VS. THE MACHINES (2021)
“I liked it”
Read MoreMOONFALL (2022)
“Emerich has completely lost his touch”
Read MoreTHE MATRIX RESURRECTIONS (2021)
“a pale shade on the cave wall”
Read MoreMAYDAY (2021)
“lacks the courage to boldly pull the trigger it needs to”
Read MoreMALIGNANT (2021)
“outlandish slide through the pigpen of 80s/90s horror shlock and the twistiest of thrillers”
Read MoreTHE MAN WHO SOLD HIS SKIN/QUO VADIS, AIDA? (2020)
“A couple of politically charged and vitally felt dramas about refugees, but I would definitely speak to my embracing of Man over Quo”
Read MoreMULAN (2020)
“the film itself is the dullest of blades, unable to cut tissue, let alone the binding of cultural mores or cinematic ramparts”
Read MoreMINARI (2021)
“the struggle of growing up, growing anew, and growing together - in land and in heart”
Read MoreMASS (2021)
“cutting journey on the double edged sword of pain that is the lonely search for truth of the parents of a mass shooting”
Read MoreTHE MIDNIGHT SKY (2020)
“feels like a Hallmark meets SyFy Channel feature with money from a bigger studio & stars”
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