THE COLOR PURPLE (2023)
"perfectly fine but it wasn't my thing"
Read MoreCIVIL WAR (2024)
“fire and brimstone that ends up signifying very little”
Read MoreCREED III (2023)
“this pairing jumps off the screen as one I want to see again and again in the future”
Read MoreCLOSE (2022)
“subtly knifing youth acting”
Read MoreCAUSEWAY (2022)
“a solid workmanlike tight 90”
Read MoreCHRISTMAS BLOODY CHRISTMAS (2022)
“Though it delivers on the promise of a killer Santa robot terrorizing, it didn’t pack enough “Ho! Ho!”s along with its “Holy Sh*t!”s. “
Read MoreTHE CONTRACTOR (2022)
“action is ok and it thinks about being grim and resonant”
Read MoreCHIP 'N DALE: RESCUE RANGERS (2022)
“I was quite surprised with how much this clicked for me”
Read MoreTHE CURSED (2022)
“aims for the jugular but can only provide some nasty flesh wounds”
Read MoreCOMING 2 AMERICA (2021)
“unamus-ing hacking fit of sequelitis”
Read MoreC'MON C'MON (2021)
“precision of craft married with the most earnestly earned poignancy”
Read MoreCYRANO (2021)
“I don’t really dig on musicals but this was good overall”
Read MoreCRUELLA (2021)
“For a kid’s film, it is a dark and sadistic melange'“
Read MoreCARD COUNTER (2021)
“pervasive existential angst and soul consuming stalk”
Read MoreCODA (2021)
“A profound expression of drama both unuttered and unheard, but devastatingly manifested.”
Read MoreCOME TRUE (2020)
“it remained more a dream of what could be rather than a reality of what is”
Read MoreCHERRY (2021)
“Partially it’s the casting and the over abundance, but it just feels like kids putting on a show”
Read MoreCALM WITH HORSES (THE SHADOW OF VIOLENCE) (2020)
“Its touching and poignant, with a sheer and true aesthetic.”
Read MoreCOLLECTIVE (2020)
“might be the best journalism doc or film I have ever seen”
Read MoreCUTIES (2020)
“never done to aggrandize or proliferate, but to recognize, analyze, and critique that penchant within our modern world to precipitantly plant the mature despite its harmful fruit”
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