HAPPY DEATH DAY (2017) & HAPPY DEATH DAY 2U (2019)
“Number 1 is fun. 2 is boo.”
Read MoreBURNING (2018)
“it didn’t maintain the thrill when it needed it the most”
Read MoreFREAKS (2019)
“A Heroes horror tale that didn’t have the silver lining”
Read MoreTHE CAVE (2019)
“worthy and insightful peer into some atrocious human horrors”
Read MoreLES MISÉRABLES
It isn’t the next La Haine
Read MoreAMERICAN FACTORY (2019)
“A vision of multiculturalism at its hopeful highs and realistic lows”
Read MoreHOW TO TRAIN YOUR DRAGON: HIDDEN WORLD (2019)
“A satisfying end to the series”
Read MoreBOMBSHELL (2019)
“cast was so potent and compelling”
Read MoreMISSING LINK (2019)
“Probably the most beautiful and inspiring animation of the year”
Read MoreKLAUS (2019)
“swept me up in its mix of whimsy and modern cynicism”
Read MoreHER SMELL (2018)
“Brilliant, vulnerable and caustic performance by Moss”
Read MoreROCKETMAN (2019)
“you will be left humming the wonderful tunes”
Read MoreTHE IRISHMAN (2019)
“it was missing the magic of his true gangster classics, simply providing a capable facsimile”
Read MoreTIGERS ARE NOT AFRAID (2017)
“blackly shaded and psychologically viscous as molasses”
Read MoreTHE AERONAUTS (2019)
“once they ascend to the heavens, so does the intensity, the excitement, and the thrill of movies”
Read MoreA BEAUTIFUL DAY IN THE NEIGHBORHOOD (2019)
“It is a good movie, but I did not see the amazement or teary-eyed bliss that so many others do”
Read MoreJOJO RABBIT (2019)
“torturous horror bleeds through the smiles and frivolity”
Read MoreTHE KING (2019)
“finely crafted and enjoyable breeze, at least as far as old English tales of royal intrigue go”
Read MoreWHAT KEEPS YOU ALIVE (2018)
“It isn’t reinventing the wheel, but it is retreading the tires a bit”
Read MoreLET THE CORPSES TAN (2018)
“beautiful visions of carnal pleasures and elicit violence groggily shimmy through your perception”:
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