THE MENU (2022)
“Their (acting) chops let the flavor of the cinematic meal broil.”
Read MoreBONES AND ALL (2022)
“Chalemet is at his twinKing finest”
Read MoreTHE FABELMANS (2022)
“maudlin and measured.”
Read MoreTRIANGLE OF SADNESS (2022)
“I just hoped for more outright levity than the blood from a stone histrionic humor we pick out of the vomit and sandy crumbs”
Read MoreALL QUIET ON THE WESTERN FRONT (2022)
“breathes a dying vigor into the celluloid whisper of a conflict long past”
Read MoreBLONDE (2022)
“a tapestry of disdain and depression; for progenitor, protagonist, and participant.”
Read MoreBROKER (2022)
“Broker hums his heartsong well”
Read MoreRESURRECTION (2022)
“disturbing, engrossing, and mind/genre bending muscular revulsion of a film”
Read MoreDECISION TO LEAVE (2022)
“Hitchcock meets In the Mood for Love (and Death).”
Read MoreAFTERSUN (2022)
“one of my most thoughtful experiences after a film of the year”
Read MoreBANSHEES OF INISHERIN (2022)
“a pseudo-modern folk philosophical dark farce”
Read MoreTÁR (2022)
“A fascinating film that I didn’t love but I strangely admire.”
Read MoreBABYLON (2022)
“a passion project made entirely on “I am in love with this” but none of “I have this to say”.
Read MoreGuillermo del Toro's Pinocchio (2022)
“THE definitive version of this story for me and one of the more special cinematic experiences I have had all year
”
MONA LISA AND THE BLOOD MOON (2022)
“flourishes of beauty and quirk, but it felt light and incomplete”
Read MoreEMILY THE CRIMINAL (2022)
“machinations behind her eyes when put up against the eightball”
Read MoreFALL (2022)
“A tense and generally enjoyable terror trap”
Read MoreBEAST (2022)
“Beast swipes at a formula that is easy to enjoy, but still misses the mark.”
Read MoreRRR (2022)
“It is pure joy that my feeble words can’t do justice to”
Read MoreON THE COUNT OF THE THREE (2022)
“generationally topical biting wit and affecting heartfelt drama”
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