THE MAN WHO SOLD HIS SKIN/QUO VADIS, AIDA? (2020)
“A couple of politically charged and vitally felt dramas about refugees, but I would definitely speak to my embracing of Man over Quo”
Read MoreWITHOUT FILM, SOMETHING SLEEPS INSIDE US AND SELDOM AWAKENS. THE SLEEPER MUST AWAKEN.
“A couple of politically charged and vitally felt dramas about refugees, but I would definitely speak to my embracing of Man over Quo”
Read More“My Octopus Teacher got the nomination, but I think Boys State was extraordinary”
Read More“My Favorite and Predicted Winner: If Anything Happens I Love You”
Read More“My Favorite: Feeling Through”
Read More“In the abstract, it chills, but in the context of those loved & cherished, it becomes agony”
Read More“makeup craftsmanship on display is otherworldly; literally and figuratively”
Read More“Always a delight”
Read More“inert and dead-eyed perfunctory CGI family parable”
Read More“I wanted the main character to parish”
Read More“Its touching and poignant, with a sheer and true aesthetic.”
Read More“throws its middleweight pounds behind its punches to land some stiff shots”
Read More“Let me worship at my deity’s feet instead of listlessly withering into his flawed and restrained humanity”
Read More“the film itself is the dullest of blades, unable to cut tissue, let alone the binding of cultural mores or cinematic ramparts”
Read More“a swim through the possibilities is better than the film’s sink to the water logged bottom”
Read More“stripped down terror chase”
Read More“Its flamboyant sprinkles of dark humor detonate continuously”
Read More“Dismaying and droll, depending on which side that bottle cap falls for you”
Read More“immersive and corrosive and subversively eruptive”
Read More“Hugh Jackman killed it”
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