SWALLOW (2020)
“A modern young June Cleaver lost in the swallowing void of upper crust emptiness”
Read MoreWHY DON'T YOU JUST DIE! (2020)
“ballsy violent expressionism”
Read MoreI'M THINKING OF ENDING THINGS (2020)
“Not for all or even many, but brilliant nonetheless”
Read MoreVOLITION (2020)
“Can this down-on-his-luck clairvoyant stop his own demise?”
Read MoreFURIE (2019)
“a persistent fist & feet train”
Read MoreTHE NIGHT CLERK (2020)
“keeps you wanting and expecting trepidation or titillation, but amazingly provides neither”
Read MoreSHIRLEY (2020)
“Gloom blearily haunts not just the film but the viewing experience”
Read MoreBLOW THE MAN DOWN (2020)
“A (sea) worthy watch.”
Read MoreBRAID (2018)
“You are Alice tumbling down the hole into an obtuse smorgasbord of oddity and ostentatiousness”
Read MoreREVENGE (2017)
“dust covered neon gunshot to that new pseudo-genre”
Read MoreTHE HUNT (2020)
“Societal exploitation, with triggers and triggers”
Read MoreMONOS (2019)
“Lord of the Flies meets Kids as they journey down the dark river of Apocalypse Now”
Read MorePARASITE (2019)
Fan-f*cking-tastic!
Read MoreST. AGATHA (2018)
“improperly weighted slow descent down a snowy hill of discomfort and disengagement”
Read MoreWHAT KEEPS YOU ALIVE (2018)
“It isn’t reinventing the wheel, but it is retreading the tires a bit”
Read MoreJOKER (2019)
“slapping your face with a dead fish of incredibly on the red nose musical cues, socially pertinent over indulgent verbosity, and cultural touchstones”
Read MoreLET THE CORPSES TAN (2018)
“beautiful visions of carnal pleasures and elicit violence groggily shimmy through your perception”:
Read MorePURE (2019)
“it fizzled as a premature ember rather than the raging blistering inferno the material provided for”
Read MoreTHE DOMESTICS (2018)
“only “mad” Max you might find here is an angry viewer dissatisfied with motivation and dialogue”
Read MoreUPGRADE (2018)
“Surprisingly pretty decent. A fairly engaging dark sci-fi action thriller. “
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