MAYDAY (2021)
“lacks the courage to boldly pull the trigger it needs to”
Read MoreKING RICHARD (2021)
“Did you see the trailer? Then you saw the whole film”
Read MoreTHE DEEP HOUSE (2021)
“A haunted house that is UNDERWATER!”
Read MoreETERNALS (2021)
“It’s really a film of dichotomies that is somewhat vexing”
Read MoreHALLOWEEN KILLS (2021)
“more of a “slasher adventure” than a horror film”
Read MoreGUNPOWDER MILKSHAKE (2021)
“completely derivative, unduly jovial and overly gossamery”
Read MoreCOME TRUE (2020)
“it remained more a dream of what could be rather than a reality of what is”
Read MoreF9: THE FAST SAGA (2021)
“Yeah, we are going to let them do whatever insane shit sticks to the walls like super magnets, rocket cars, or Tarzan swinging cars. F--- YOU! Next time they will time travel, ASSHOLE!”
Read MoreSATOR (2019)
“it is the breaking of barriers of art & reality that provide the most intrigue”
Read MoreUNHINGED (2020)
“pulse pounding, relatable, and darkly fun”
Read MoreTRAIN TO BUSAN PRESENTS: PENINSULA (2020)
“It would be a weak zombie grasping recommend.”
Read MoreFRIED BARRY (2020)
“Its a bizarre behavioral blast-off, bollocking his life surrounded by a bunch of weirdos.”
Read MoreRUSSKIY REYD (RUSSIAN RAID) (2020)
“a vodka soaked, kalashnikov wielding, and Cossack dancing Siberian savage take”
Read MoreTHE UNITED STATES vs. BILLIE HOLIDAY (2020)
“Day does a fantastic job, bringing the drama and the vocal chops, but the film lacks otherwise.”
Read MoreLOVE AND MONSTERS (2020)
“I wanted the main character to parish”
Read MoreBOSS LEVEL (2021)
“to zone out and enjoy some mindless over-the-top, only done for the fun of it action, this one might be your very own LEVEL UP”
Read MoreDUNE DRIFTER (2020)
“throws its middleweight pounds behind its punches to land some stiff shots”
Read MoreNEWS OF THE WORLD (2020)
“The “news” it brings is all very subdued and lame.”
Read MoreLUZ: THE FLOWER OF EVIL (2019)
“moments of splendor paired with the jumbled cultish familial strife”
Read MoreTHE LITTLE THINGS (2021)
“Trying to recapture the gritty and disturbed fortitude of 90s Denzel Washington crime thrillers, but failing”
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